Enlisting an array of indie icons, from Iggy Pop to Chrissie Hynde (whose version of “Live And Let Die” is a definite highlight), Arnold attempts to update–if not exactly subvert–some of the more notable Bond theme tunes. Yet despite this noble attempt at deconstruction, what’s remarkable here is how so many of the acts conform to expectations: Pulp, typically, make “All Time High” seem a furtive, even faintly grubby experience; while Aimee Mann performs “Nobody Does It Better” with a kind of weary sarcasm, either unable or unwilling to swallow the myth of male potency. On the other hand, Shara Nelson’s reading of “Moonraker”, and Martin Fry’s “Thunderball,” each manage to communicate at least a little of the magic of the original versions. And having at last found a piece worthy of him, David McAlmont loses no opportunity to make “Diamonds Are Forever” his own. –Andrew McGuire
Not a Tribute: Fantastic new music This is a magnificent CD, with surprise after surprise. Dave Arnold has assembled an astonishing number of hugely talented musical forces and obviously put them to work. A lot of work. This isn’t just a work-a-day, rushed set of remixes, but completely recomposed music. None of the songs sounds like a ‘tribute’ but like (because it is) a new piece of music. No duds here.
This album is a must for any James Bond Music fan. This is a great re-work of some of the original music from the films that adds something new for the listener. Each track on the album is recognisable from the original with just that little something added. My personnel favourite is On Her Majesty’s Secret Service by the Propellerheads, for me it is the perfect James Bond track. If you are a James Bond fan and you love the music as much then you can’t go wrong here.