THIS DVD IS NEW BUT NOT SEALED VERY COLLECTIBLE SEE MY OTHER DOCTOR WHO COLLECTIBLE DVDS – Please Note These Are All Un-Sealed This How They Arrived InAmong the very finest episodes broadcast since Doctor Who returned to our screens in 2005, this collection of “Human Nature”, “The Family Of Blood” and “Blink” surely adds up to the best single DVD release of the show to date.
Let’s start with the best. “Blink” is an episode where the Doctor takes a back seat. Yet while this approach resulted in one of Doctor Who’s worst ever episodes in season two, here it generates one of the very finest in the history of the show. It’s from the pen of Steven Moffat, the man behind the best stories since the show’s return, and manages to be clever, frightening and intricate in a way that will easily reward repeated viewers. To tell any more would be to spoil it. So we won’t. Just know that while the BBC is happy to wheel out the ‘hiding behind the sofa’ cliché, this is one episode that may have you doing just that.
Nearly matching it for sheer quality is the superb double header, “Human Nature” and “The Family Of Blood”. Here we find the Doctor being hunted, and thus converting his biology to that of a human. With no knowledge of his real identity, it’s down to the Doctor’s assistant, Martha, to unravel what’s going on.
Again though, there’s plenty to lift these two episodes above run of the mill. Creepy scarecrows, even creepier schoolkids, a moving wartime setting and the willingness to take their time and build up the story all pay major dividends. The end result? Just terrific.
With not a weak link to be found, these three episodes find Doctor Who in outrageously strong form. And the season three finale is coming up on the next DVD release, too… —Simon Brew
JUST HOW DO YOU IMPROVE ON PERFECTION? I’ll say it quickly: HUMAN NATURE/THE FAMILY OF BLOOD and BLINK are three of the best DOCTOR WHO episodes you are likely to see. Bottom line. I’d even go so far as to say that if Actively Disliking Science-Fiction was the mainstay of my life, I’d still buy this – just to have something really brilliant to rail against. And why not? Makes sense to me, it’s that good. No, it’s better even than that.Adapted by PAUL CORNELL from his own novel, ‘Human Nature’ (originally featuring Sylvester McCoy’s seventh Doctor), it’s a story about Time Lord energy and the relentless pursuit of it across time and space by The Family of Blood: a ruthless alien clan, devoid of compassion, ready to spread like cancer throughout the galaxy. Either that, or die out. If The Doctor can only avoid detection for three months, their brief lifespans will see to the rest – hence the need to find him quickly and drain his energy. But it soon becomes clear that, in order to drop off the radar completely, The Doctor needs to temporarily relinquish being a Time Lord and become human. With the aid of TARDIS technology, the result of that decision is one JOHN SMITH, senior teacher at a Boys’ Public School in 1913, on the eve of The Great War. And MARTHA JONES is his maid, with prior instructions to ‘look after’ him until the danger has passed. She can then ‘restore’ The Doctor via a fobwatch containing his otherworldly essence. However, as a human, John Smith is completely unaware of his real self. And that’s where the problems begin…Oh, boy. Did I mention that, despite The Doctor’s emergency measures, the Family of Blood have traced him to the local vicinity, taken over the bodies of appropriate inhabitants and begun ‘sniffing’ out their quarry?Normally I tend not to get bogged down in story summary but this is a very deserving exception; there are issues dealt with here that transcend the lightweight nature of other episodes, such as the inevitability of war, bravery in the face of the enemy, race and social standing, identity, love…That these elements are all neatly tied-up, with a genuinely uplifting and simultaneously heartbreaking coda which made me shed more than one tear (dammit, not again!), is testament to storytelling and production of the highest order. Watched as a whole you will inevitably find yourself going back to scenes or specific moments again and again: the gunning down of the army of scarecrows; the standoff in the school courtyard between the alien-absorbed Baines and the Headmaster, Mr Rocastle, “You speak with someone else’s voice, Baines”; “The Fury of the Time Lord”; John Smith terrified that he’s “just a story”; Martha telling TIM LATTIMER that he doesn’t have to fight and the young boy, having attained an insight into what’s to come, replying “I think we must”…and so much more.The acting, as you would imagine, is also magnificent. DAVID TENNANT is allowed here to go way beyond his ‘Doctor’ persona and delivers by pushing the human John Smith character through the emotional wringer. It’s a revelation – and never less than convincing. The rest of the cast, without exception, also rise to the occasion, but I must single out HARRY LLOYD – his JEREMY BAINES is one of the most sensational alien-posessed nasties I have seen on the show in a long time.FREEMA AGYEMAN continues to demonstrate what an asset to Doctor Who she is. Not just any old companion, Martha Jones is one of the best companions to date – no over-the-top histrionics, no cloying or smug behaviour, no reduction to cypher in order to explain the plot – she’s as 3-dimensional as we’re going to get and we’re very lucky to have her, especially considering what she’s had to put up with. I mean it’s surprising that she sticks around at all because The Doctor sure ain’t paying her any attention. This is one unrequited emotional dynamic that needs to be resolved. And soon.So, to sum up: A beautiful story over two virtually perfect episodes. And let’s be honest, when quality of this standard is achieved, nitpicks are a pretty pointless exercise. Perhaps I might need them for the next release, Who knows?BLINK is this season’s budget, ‘Doctor-Lite’, episode. Really? It is also one of the most unusual and original pieces of science-fiction television in many years. Demonic statues that attack in the blink of an eye. Stare at them and you’re safe, but the moment you look away…well, there goes the rest of your life, the weeping buggers steal the remaining years and send you back in time to another era as a thank-you. How rude.Unfortunately, The Doctor and Martha have been caught out and are stuck in 1969 without a paddle, much less a TARDIS. However, they’ve been leaving messages in a spooky house for a certain SALLY SPARROW to save them, making her both focus and catalyst for what is to come. Writer STEPHEN MOFFATT is an absolute genius at this left-field…
The 3 best of Series 3! Without a doubt these three episodes where by far the best of the season and ones you could watch again and again and still be just as scared.In Human Nature the Doctor is being stalked by the sinster family of blood who want his Timelord DNA to enable them to live forever in his life-span. However, the Doctor must go to drastic lengths to stop them – changing his DNA to that of a human. With his Time Lord DNA stashed in a pocket watch the Doctor transforms into humble 1913 School Teacher John Smith and Martha, who is the only person in on the secret must act as his maid. What she doesn’t bank on though is a young boy stealing the watch and John Smith falling in love with the matron (Jessica Hyde (nee Stevenston) of Royle Family fame) Martha is beside herself, and with the family of blood using sinister scarecrows (by far the scaries monsters this season)to locate the Doctor, Martha must find the watch and convince John Smith of his real identity.In Family of Blood war has come to England a year in advance as the terrifying family search for The Doctor. But the Doctors loyalties are severly tested when in a tender tear-jerking montage he realises what he could have with the kindly matron; marriage and children. But when the boy gives the watch back to Martha she must convice the Dr to take back his old DNA but will his love for the kindly matron override his natural Timelord insticts? A very poignant moment at the end, when years later, The Doctor and Martha go to visit the boy who took the watch, who is now a war veteran. Very tearjerking but thoroughly well written episodesIn Blink, a mysterious message from The Doctor written in 1969 for Sally Sparrow warns her of the mysterious ‘weeping angels’ – In an old abandoned house the weeping angels wait; only The Doctor can stop them but he’s lost in time. Trapped without his TARDIS in 1969, the Doctor must put his trust into Sally via hidden Easter Eggs in her favourite DVD’s. However, the Weeping Angel statues are after the TARDIS too. Blink and they move and you die! How will Sally stop the Angels and reunite the Doctor with his TARDIS?Since I started watching Who last series, this is the only episode that gave me nightmares. Last series equivalent Love and Monsters where the Doc and Rose take a back seat was terrible but this one, in the same format is excellent. It just goes to show what you can do with a cracking writer. The 3 best episodes of Series 3!